As per one, Betty and Diane are the same women, only in different realities. But there are many other interpretations of the story too. Much of the style, tone, and structure of the film would seem to support that reading. She creates a fantasy world of sorts, in which she has her whole future in Hollywood ahead of her instead of a waning career, and Camilla, who left Diane for a man, is a vulnerable woman looking for shelter and succour. Mulholland Drive, up until the last half hour, has most commonly been understood as a woman’s tortured dream in which she reimagines people in her life as characters in a new narrative. Back at Betty’s place, the two women realise they have fallen in love with each other and have sex. They eventually end up in Diane Selwyn’s apartment but find a decomposing female corpse instead. Rita looks at the nametag of the waitress and learns that she has a connection with the name Diane Selwyn. Meanwhile, Betty and Rita have coffee in the diner we saw earlier. A narcissistic filmmaker Adam Kesher (Justin Theroux) learns that his film is being bankrolled by the mob and he is strong-armed into casting a woman called Camilla Rhodes. When they get to that place, the face jumps out from behind a dumpster, and the man loses consciousness. (Photo: Universal Pictures)Įlsewhere, at a diner, a man explains his dream to his friend and says he saw a frightening figure behind the building. Even after two decades, Mulholland Drive defies explanation. They find money and a strange blue key in her purse. Empathetic, Betty teams up with her to figure out the traumatised woman’s identity. She has her aunt’s place in the city all to herself but finds it occupied by a mysterious and beautiful dark-haired amnesiac woman (Laura Elena Harring) who calls herself Rita and claims she is the sole survivor of a car crash that occurred on the titular street the night before. The film follows a young aspiring actress Betty Elms (Naomi Watts) who arrives in Los Angeles to pursue her dreams. That is not unusual for his works, which are always challenging and require repeated viewings. Back when it was released in 2001, Mulholland Drive was adored by most critics but did not find many takers among the audiences, except perhaps for Lynch diehards.
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